We’ve been hearing about it for years. They’re making a sequel but ignoring the X number of films between this one and the first one. Lately it seems like it’s more and more a standard.
Everyone who knows me know I’m a continuity snob. I prefer it when continuity makes sense and flows perfectly. I can forgive a misstep here and there but overall I like it when you can watch an entire series and see how it all fits together without any glaring issues.
When I told friends I saw the most recent addition to the Alien family last week, the first question was always the same: Was it more like Alien or Prometheus? And my answer is always the same, Yes but it is also it’s own. Ridley Scott’s masterful direction is both a sequel to Prometheus and a gateway that is leading the audience to Alien. The film’s prologue begins with a young Peter Weyland introducing his latest creation David (played by one of the best parts and performances of this movie Michael Fassbender) to the world. This is where the elements of Prometheus begin, the religious overtones of creation/God making Man. When David asks Weyland, “If God made Man, who made God?”, you can see Weyland’s’s face shift to the realization that his creation has questioned him and asked what he himself would like to know.
Then, piece by piece, the opening title sequence takes you back to Alien and the tone is set of what the audience is in for. It’s 2104, 10 years after Prometheus and 18 years prior to the original Alien. The Covenant is carrying the frozen cryosleep crew of twelve and 2,000 other sleepy frozen passengers along with 1000’s of embryos on a 7 year journey to a distant planet Origae-6 when it is thrown off course by a burst of crap/space storm/neutrino shock wave that shreds this gold shield thing and nearly kills everyone. Luckily, the humanoid watching over the ship, Walter (also Fassbender) wakes up the crew and saves the day, except for (spoiler alert) James Franco. If you are not a Franco fan then this is the movie for you because his demise is not pretty. The crew mourns briefly, fixes the ship, hears a beacon on a seemingly perfect new planet and despite the fact that they have a course set to a destination I’m pretty positive some really smart people have done a ton of research on, they take 3/4’s of the remaining crew and go to this equally inhabitable planet to explore and shortly after that all hell breaks loose.
So here are the pros: Covenant is a dark, haunting, exhilarating exploration in space and bloodier than the previous films in the franchise that brings the scares Prometheus lacked.The Xenomorphs are magnificent in size and scare factor and the introduction of the Neomorphs (add that to your lexicon) are both terrifying and adorable. Plush Neomorphs and baby Groots may be THE gift for the kids this summer. There is also a POV from the Xenomorph that I don’t recall experiencing as an audience member before. As for the performances, the standouts are
Daniels (Katherine Waterston despite her Floyd Christmas haircut) the female lead reminiscent of Sigourney Weaver’s Ripley cautious, couragous and kicking ass. Faris (Amy Seimetz) the ship’s co-pilot who has the most believable performance from the moment she awakens from cryosleep to her encounter with an ill crew member and what transpires after, she is the only member of the team that follows protocol and her fear looks more than real. The standout and star is David/Walter (Fassbender) who is outstanding and entertaining especially in scenes where he acts with, himself. It is clear that writers John Logan and Dante Harper enjoyed writing the scenes between these two characters with a line like, “Watch me…I’ll do the fingering.”
Which leads to the cons: While practical effects were used, there is a quintessential scene where they were not and in my opinion missed the mark where it was an easy target. Award for worst crew in space goes to…. The Covenant. You have 2,000 lives on board your ship and you decide to go exploring? Last time I checked you had a mission and a destination but this shiny penny planet apparently means more than human existense. And who takes 3/4 of their remaining crew to “check out” a perfect uninhabited planet? Do they not show reruns of ANY television show set in space in 2104?
The character development is abysmal. What angers me about this is the 4 minute teaser trailer released 2 months before of a Last Supper with the crew that establishes relationships, personalites, banter and makes you feel and at least know more than 4 of the charachters names. Why this was not added to the final film I don’t understand because this 4 minute addition would have been that touch the film needed.
Despite the lack of character development and storyline plotholes, Covenant isa gorgeous film that splits the feel of Alien and Prometheus. The Covenant ship is a dead ringer for the Nostromo while the landscape of the planet, both barren of life and beautiful is reminiscent of Prometheus.The production design department led by Chris Seagers will be, in my opinion, nominated and possibly winning many accolades during awards season because of their exquisite craftmandship.
Alien:Covenant is a transition film that is an equal mix of Alien and Prometheus with the horror and tension of the original and the ambition to answer the question of creation and life from the latter. While it did not leave me feeling, anything actually, I do believe it is a film with some misses but a film that should be watched and enjoyed in the theater. I guess my disappointment is that I know this is a an A movie that ended up being a B. This is not the end however, which makes me hopeful. Alien:Covenant opens in theaters May 19th.
All right, kiddies. you know you have been waiting for the ball to drop for the latest installment of the prequel for the Alien franchise, well, GeekNerdery is standing right next to you with our mouths agape.
It’s been a couple years since we have seen any Xenomorph action (Very little hinted at us in Prometheus), but now we get a look at the origins of the Alien, and I for one am looking forward to this one! Check out the trailer for Alien Covenant Below!
This week we take a trip back in time and take a look at some very specific prequels. Both of our films this week involve the trope of identical grandparents. We’ll let you listen to the episode to learn what that means. Doug explores the concept of racist earth worms with Tremors 4: The Legend Begins and Scott chooses the newest Resident Evil film, AVP: Alien vs. Predator.
After the break, we read off some fan mail, discuss a few trailers, and listen to Doug rant about censorship.