Last time we talked, we looked at the recently-wrapped Superman Reborn storyline and what it meant for the ever-evolving post-Rebirth DC Universe. Now that the Batman/Flash crossover The Button has wrapped, now that even more things have changed, it’s time to do it again. I’m going to discuss and build on some of the theories and threads I mentioned in that first piece, so if you haven’t read it, give it a peek. And once again, be prepared, because spoilers are coming for The Button, but also for other stories across the DC Universe.
So That Just Happened
Let’s look at exactly where we are, shall we? In The Button, Professor Zoom attacked Batman in the Batcave, ultimately dying in a spark of blue. Batman and the Flash then used the Flash’s cosmic treadmill to try to trace the mysterious radiation signature on the blood-spattered button Bruce found in DC Universe Rebirth #1. Eventually, the two landed in the Flashpoint universe, where Bruce Wayne got to meet that world’s Batman, his father Thomas Wayne. That universe vanished, seemingly destroyed. Zoom — who can only ever be “mostly” dead because time travel — continued on his race to find those behind the power of the button. He was wiped out again, by still more blue flame, and Bruce and Barry were rescued from the timestream by the timely (get it?) intervention of Jay Garrick, who was only there for moments before the flame got him too. The button itself, judging by the epilogue, seems to have been retrieved by Dr. Manhattan, whom Geoff Johns has told us has a particular interest in Superman. He’ll be telling that story in the recently-announced Doomsday Clock event.
But that’s the Reader’s Digest version of The Button, there’s an awful lot to unpack here. What is it all saying? What does it mean? And how does it play into the DC Universe going forward?
The Manhattan Project
First of all, let’s talk about the Dr. Manhattan connection. Although the fingerprints of Watchmen were all over this story (right down to the first chapter, Batman #21, mimicking Dave Gibbons’s famous nine-panel grid in the artwork), it gave us precious little in the way of revelation. We still don’t know exactly why the button wound up in the Batcave, and although Zoom claimed to know who was responsible, his eradication at the end of the story will make it difficult for Barry and Bruce to interrogate him. In fact, as far as a direct link to Dr. Manhattan goes, the clues can be boiled down to one word: “They.”
Zoom claims to know who is responsible for what’s happening to the universe and, in his own words, “They’ve never faced someone like me!” Granted, it’s becoming more acceptable to use “they” as a gender-neutral singular pronoun these days (something that makes the English teacher in me shudder — I’m not saying we shouldn’t have a gender-neutral pronoun, just that I wish there was another word that didn’t dilute the meaning of the word “they”), but it’s hard to imagine that’s what Zoom meant. If he’s seen Dr. Manhattan, especially if the latter is walking around without his bikini bottoms again, it’s fairly clear that he’s male, and I doubt Zoom is the sort to walk up and ask him his preferred pronouns before engaging him in battle. If he hasn’t seen Manhattan, his claim to know who’s responsible becomes much more specious. All of this is to say that this one word may support something I suggested last time: whatever is happening, it doesn’t look like Dr. Manhattan is the sole person responsible.
Next up, let’s talk about Jay Garrick. Much like Wally West did in the original Rebirth special, he appears and helps save the day. Unlike Wally, Jay doesn’t stick around. The question, however, is why did he vanish? He disappeared in a nimbus of blue flame, much like Pandora did in the first special, much like the Flashpoint universe did earlier in this story (more on that later). But it’s very hard to imagine that means he’s dead. DC has teased the return of the Justice Society really hard here, not only with Jay but with another appearance by Johnny Thunder in chapter one of The Button. Would they have brought him back just to wipe him out?
Barry recognizes the circumstances of Jay’s appearance as being similar to Wally’s, and when Wally appeared, he needed his emotional connection to Barry to re-ground him in reality. It doesn’t work for Jay. Barry even says that he doesn’t seem to be Jay’s “lightning rod.” Who then, would it be? Who else has a strong enough emotional connection to Jay Garrick to return him to reality?
The immediate and most obvious answer is his wife, Joan. She hasn’t been seen in Rebirth, but that doesn’t mean she isn’t in the DC Universe somewhere: alone, sad, possibly confused by a gaping hole in her life. But Wally West’s lightning rod wasn’t his wife, Linda Park. Who else could anchor Jay? Besides Barry, his best friend has historically been original Green Lantern Alan Scott, but Alan is MIA along with the rest of the Justice Society. All of Jay’s contemporaries are missing.
Everyone except for Johnny Thunder. Johnny, who in Rebirth #1, seemed to imply that he was responsible for people forgetting the Justice Society. Johnny, who in Flash #21 screams at the skies, consumed with guilt. Johnny, who is currently locked away in a nursing home, with everyone assuming he’s a raving old man. In fact, why don’t we take this a step further? What if Johnny is, unwittingly, one of the people who helped Dr. Manhattan remake the universe? He certainly wouldn’t have done it intentionally, but he was never the brightest bulb to begin with. The only reason he was in the JSA is because he commanded a Genie with Mxyzptlk-level reality-warping power. Could he have been tricked into using his Thunderbolt’s power to change the timeline? Or could he have done it independently of what was going on with Dr. Manhattan, and could Manhattan have simply taken advantage of Johnny’s mistake to further his own goals?
Lost and Found
Let’s take a moment to do a little census here. A lot of fan-favorite characters were missing at the launch of the New 52 universe. Some of them have returned: Wally West, of course, but also Stephanie Brown, Donna Troy, Cassandra Cain, Ted Kord, and probably several others I’m forgetting at the moment. Others, like the Legion of Super-Heroes and the Ray Palmer Atom, were there for the New 52 launch but have gone notably missing since then. Still others have been taken away on-panel. Doomsday, Prophecy, and Tim Drake have all been “removed” from action, and we know they’re in the clutches of Mr. Oz. Of those still unaccounted for, the Justice Society has been particularly notable in its absence. And with its absence came the absence of other characters derived from the JSA: Alan Scott’s children Jade and Obsidian, for example. If the JSA returns, can they follow suit?
And there’s one other big one that needs to be mentioned. After he was “Reborn,” Superman needed to give the readers a rundown of what his history was in this world where the older, married Superman merged with his younger New 52 counterpart. Action Comics gave us two issues where he asked his little robotic buddy Kelex (and who wouldn’t want a Kelex as their own personal assistant?) to go over his past with him. It was kind of odd, in a meta way, for Superman to essentially ask the robot to read him his diary, but it worked. The big questions were answered: Jonathan and Martha Kent are both dead in this continuity, Superman never had a relationship with Wonder Woman. He did fight and was killed by Doomsday…
…but that’s where it gets odd.
As we all know, after Superman’s death he was replaced by four different people claiming the name. John Henry Irons, Steel, is part of the cast of Superwoman these days. The Eradicator and the Cyborg Superman are both in the Superman books right now in villain roles. The fourth? Connor Kent? Superboy? Nowhere to be found, even in the history that Kelex relates to us. Superman himself notes, as he listens to his own history, that something doesn’t feel quite right. Is Conner going to be lost to the void, or is DC planning to give him his own Wally West moment, bringing him back in triumph? If, as Geoff Johns promises, Rebirth is about restoring hope and legacy to the DCU, wouldn’t Doomsday Clock be a hell of a place for Connor to come back?
Of course, Jonathan Kent the second is Superboy now, but I’d be fine with changing Connor’s name and moving him into sort of a Nightwing-type role in the Superman family. Superteen? Superkid? Ugh, those are terrible. Superguy? Sequel? Okay, maybe we have to look beyond the letter “S” for a new name.
I hear “Valor” is available.
The Dark Knight Redacted?
Anyway, let’s talk about what this story has done to Batman. Back in Flashpoint, when Barry Allen was (he thought) restoring the timeline he had damaged, Thomas Wayne gave him a letter to deliver to Bruce. It was one of the high points of that story and created a grand emotional link for Bruce to his past. In The Button, that link was made even stronger as Bruce had to face a version of his father who chose the same path he did, that of the Batman. Thomas’s Batman was darker and harsher than Bruce’s (not surprising, as Flashpoint was a darker and harsher world), and as Bruce leaves, Thomas asks him to give up being Batman, to put this life behind him, because no father would ever choose a life like that for his child. As the story ends, we have a very pointed moment where the Bat-signal blazes across the sky of Gotham, and Bruce ignores it.
What does this mean?
Well, it doesn’t mean that Bruce is hanging up the cowl, let’s start there. There have been plenty of post-Button stories solicited already where he’s still Batman. (Heck, Batman #23 came out on the same day as The Button ended). There are also two other strikes against this notion of Bruce giving up. First, they did that story just two years ago with James Gordon taking over as Batman (not to mention the countless times in the past when Dick Grayson, Jean-Paul Valley, etc. have worn the cowl). Second, Rebirth has been all about bringing DC’s heroes back to their purest, classic form. Does anyone really think that means shelving Bruce Wayne? Certainly not for any length of time.
So what does it mean?
For that, let’s take a step back and look, once again, at the apparent meta-message of Rebirth Geoff Johns (I’m assigning this thesis to him, as he seems to be the architect of the story and is the author of both DC Universe Rebirth #1 and the upcoming Doomsday Clock) seems to be arguing that the darkness that has infected the DCU started not with Flashpoint, but could be traced back to Watchmen. Last time, I argued that this is only partially true, and that there are other culprits as well, but I didn’t mention one of the bigger ones, as it didn’t appear to be relevant at the time. Now it does. I’m talking, of course, about The Dark Knight Returns. Frank Miller’s magnum opus was a masterpiece of the form, like Watchmen. Also like Watchmen, people took entirely the wrong message from the story and, for years, turned the mainstream Batman progressively darker, gloomier, and more brooding than ever.
Perhaps part of the purpose of The Button — that part of it, at least — is to do specifically for Batman what the larger Rebirth story is doing for the rest of the DCU. I’m not saying that we should go back to the days when Batman was cutting ribbons at supermarket openings or encountering aliens with huge insect heads on the main street of Gotham, but there has to be a middle ground. For much of the Bronze Age, in fact, we lived in that middle ground. Go back and read some of those great Dennis O’Neil/Neal Adams Batman stories. You’ll see a character who lives in the darkness, but carries a spark of light within him, a Batman who was not above making a joke. (Indeed, in the years since The Dark Knight Returns pretty much any time Batman has displayed a sense of humor, it’s come as a total shock to whoever he was talking to at the time.)
Bruce Wayne, we know, will never quit. Not forever, anyway. But that doesn’t mean he has to live a life totally devoid of joy. Tim Drake (who himself was thinking of hanging up the cape to go to college when he was abducted) was often living proof of that. Maybe that’s another reason he, as Mr. Oz put it, had to be “taken off the table.”
It’s a long way until November, guys, and there are plenty of things that could happen between now and then that could cause me to adjust these thoughts (I’m looking at you, The Lazarus Contract). But for now, at least, I think I’ve tackled all the big concepts, and we’ve got an awful lot to chew on while we wait for the next course.